Today I am again honored to have as a guest blogger Seymour Garte, PhD. Dr. Garte is Professor of Environmental and Occupational Health Sciences of the Graduate School of Public Health, University of Pittsburgh, and a member of the University of Pittsburgh Cancer Institute in Pittsburgh PA. He is also the author of Where We Stand: A Surprising Look at the Real State of the Planet. Dr. Garte writes:
In the absence of a major marketing campaign ala Harry Potter, the best way to get your book sold is through publicity. Which basically means free advertising. Book reviews are wonderful publicity, even if they are not gushing with praise. A really bad review is of course, not good, but those are also rare. The big question is how to get your book reviewed. You publicist will send out galleys or books to whomever she thinks might be interested in the book. These days, this will include blogs, and other web based media, which can have more readers than some newspapers. It will also include the local media in your hometown. She might try some of the bigger national magazines or journals, but they get swamped with requests to review.
The hardest books to publicize are general literature fiction. Genre fiction (romance, sci fi, crime, thrillers etc.) are easier, because there are specialty web sites, organizations, newsletters, and other outlets that often allow for free publicity of new books. Non-fiction is much easier, because (depending on the subject of course) there is the possibility of the author taking a role as an expert in the media. Again, this is where your publicist comes in.
Television and radio are major outlets for book publicity. You have seen the results of the work of publicists, when you watch any TV show with a guest who has just published a book. In fact, most talk show guests are there to publicize their books. There are two ways to get on a national TV talk show or major network. 1. Be famous already. 2. Have a book that talks about something incredibly topical. Local TV shows are much easier to get onto (my first publicity gig was on a local TV show), but of course don’t have the selling potential of any national program.
If your book is on the theory that massive biological extinctions were caused by gigantic earthquakes, and your book release date is two weeks after a gigantic earthquake in California, you might have a shot to get on CNN, or one of the morning shows. Radio, TV and print all follow the news cycle. If your book is on dieting, and there is a news story about some famous star fainting from lack of food, you could get lots of calls. If your book is on the Middle East, and the Israeli tanks start moving, get ready for a barrage of calls. In my case, there was a toxic scare of lead in toys from China, Al Gore’s Nobel Prize, and a few other environmentally related news items that put me in demand. And then the election campaign started, and all books NOT about politics just died for 8 months You might surmise from this that luck is a big player in getting publicity, and you are right.
Radio, talk radio in particular, is the medium where authors of non-fiction can do well. Your publicist will get you booked on as many radio shows as possible. Of course not all radio shows are equal. Some like Mankow from Chicago, get almost a million rush hour listeners. Others, like a thoughtful health and environment show from Oregon, might get only a few hundred listeners, but they tend to be loyal and really listen. Of course the more topical the subject of your book, the more likely you are to get booked.
My publicist sent me a whole kit on how to do radio. I am lucky in that I have a good radio voice, a hammy personality, and not a shy bone in my body, so I turned out to be a natural. The better you do on the early shows, the easier it is for the publicist to get more bookings.
Doing radio shows is fun, but can be frustrating. Often the host has no idea about your book, other than reading the title and inside flap 5 minutes before airtime. Sometimes their questions are absurd, sometimes they get your name or the title wrong. I did the Mankow show twice, and got about 5 minutes of airtime. My publicist assured me this was the equivalent of a full-page ad in the Times. Most of the shows I did were a half hour to an hour. I appeared in person at two or three shows, and sat in the studio, but most of the time the interview is by phone.
Remember these rules when doing a live radio interview (most are live, taped shows are much easier of course). Use a fixed phone, not a cell phone, but have a cell phone handy for emergencies. Wherever you are, make sure your phone will not run out of battery charge. Lock the door, and post a sign outside that says in large letters “DO NOT ENTER OR KNOCK. FOR ANY REASON. EVEN FOR FIRE OR EMERGENCY.”
While on the phone in an interview, you need full concentration. I learned both of those rules the hard way.
During the two months following the release date, I did on average 4 radio shows a week. On some days I did 3 or 4 a day. Usually the notice would come the day before by email or cell phone. “Tomorrow morning at 7:30 AM EST, half hour live at KOMG, Boston, they will call you.” I got used to the routine. If the show was to start at 7:30, the phone would ring at 7:29, a producer would ask if I was ready, then put me on so I could hear the feed, (usually a commercial) and then the host says, “I am very pleased to welcome Dr. Seymour Garte, author of Where We Stand, A Surprising Look at the Real State of Our Planet. Welcome to the show, Dr. Garte.”
“Thank you Bruce, it’s a pleasure to be here.”
“So what do you think about this whole Global Warming stuff?”
Now my book is about the environment, but only makes a passing comment about global warming. Doesn’t matter, the host will ask about what interests him or her, not about what your book is about. And what interests the host is what interests their listeners, which is usually whatever is on the news that day. When Al Gore won the Nobel Prize, I got a lot of bookings, but everybody wanted to talk only about global warming and Al Gore. The trick is to turn the conversation away from the host’s topic to your book’s topic, which is not that hard to do.
It is fine to say controversial stuff, because it leads to more phone calls, which is good for the host. But be very very careful to say nothing mean, derogatory or insulting toward either host or callers. If you do, you are through, and you will not get another show. Your publicist will stop trying to get you booked.
Book tours, readings and signings in bookstores are well-known publicity methods for all types of books, fiction and non-fiction. The rules for getting book signings are much more fluid than for radio shows. Some bookstores will only book authors through publishers or publicists. Other, smaller stores in smaller towns, are open to new authors suggesting a book signing, especially if the author is a local resident. The idea of a publisher paying for a new author to do a national tour promoting their book is long dead. The publisher will try to get you signings in stores near where you live, or if you tell them you will be in San Francisco for a month, they will try there. But they will not pay your expenses.
Here is the main thing about book signings and readings at bookstores. If no one shows up, it’s a disaster. In fact, some stores will want to see your mailing list or know how many people have agreed to come to the reading, before they book you. I have been lucky, to have been able to draw a crowd, in the few book readings I did. It can be fun, if you like speaking on your subject or reading your work.
Frankly not everyone is a ham like me. Some people just don’t like to do public speaking. But, remember that your audience is (by definition) already interested in you or your book or both, otherwise they wouldn’t be there. Rarely will you face a hostile crowd, unless your book is highly controversial, and makes people mad. Most people who would not buy your book, simply don’t show up.
For non-fiction books, especially those written by experts, there is an entire set of opportunities for (mostly print journalism) publicity related to current events, and the need for expert quotes. Journalists, TV and radio producers, free lance writers, and networks of experts are all tied in with one another for mutual benefit. And at the center of these webs are the publicists; the tool is the query.
Say a journalist is given an assignment to write an article on green buildings. Deadline tomorrow at 7 AM. The journalist shoots out a query email to a network of publicists, industry groups, academics and other experts which says “I need an expert on green buildings, technical, not economic. Must have science credentials. Call before 4 PM today” My publicist gets this and forwards it to me, with the added note “Can you do this?” I answer “Yes.” She then answers the journalist with my name, credentials, the name of my book, etc. The journalist goes through the many positive answers she has received, and if I’m lucky, she chooses to call me. She talks to me for at most 10 minutes, gets a quote or two, and again if I’m lucky, mentions my name and the book in her article. From her assignment to getting my quote, maybe two hours have passed.
Related to the print articles that mention your book are other possibilities for publicity. Appearance on Web casts (which are really much like TV), presentations at public forums, and appearances at conferences are all useful. For months I carried a stack of flyers in my briefcase, and distributed them liberally at conferences, seminars, and where ever I traveled.
As I mentioned, the publicist who works for your publisher, is pushing more than one book at a time. This means she has limited time for your book. Some people suggest that an author hire a free lance publicist. This works. A private publicist will be able to book you (depending of course on your book subject, and your reputation as a speaker) on many top radio shows, and also on national TV shows. But if you go this route, you need to examine your motivations. This kind of publicity will definitely raise your book sales. But often NOT enough to equal the cost of hiring the publicist (unless you get lucky). Publicists charge according to how many radio shows they book for you. (TV is a much more complex rate calculation).
Whether you hire your own publicist, or only use the publisher’s publicist, (or both) remember that you are on call 24/7. I missed one good opportunity because my cell phone had run out of battery charge. Again, this is a stressful and busy period, but it ends pretty soon. Even great, enormously successful books stop being publicized a few months (no more than 6 to 8 months) after publication. From then on the big driver of sales is that all important and totally unpredictable factor — word of mouth. There isn’t much you can do about whether word of mouth spreads the story of your book and continues to boost sales after the publicity period ends. The key is how well your book is written. Well written books do better than poorly written ones, regardless of how intense the publicity might be at the beginning. So I end this discussion of the post writing phase of being a writer with a return to the basics. The real key to success as a writer is great writing. Big surprise, eh?
Also by Dr. Seymour Garte:
Where We Stand on Selling Non-Fiction vs. Fiction
Selling Your Book to Readers — Part I
February 4, 2009 at 9:49 pm
“hammy personality” – really? You? Never would have guessed.
I totally don’t have one. (psst! wanna buy a bridge? land in Florida?)
February 5, 2009 at 1:18 pm
Interesting, Sy. It’s unlikely anyone will ever contact me with the idea of using me as an expert, but now I feel ready if it does happen.
February 5, 2009 at 2:15 pm
Dr. Garte, thank you for being a guest on Book Marketing Floozy. Your articles are a tremendous help, but I have to admit, you’ve got me spooked. As a debut author with a debut publishing company, I’m going to have to do my own publicity. Makes me wonder how I will ever find readers for my books.
February 6, 2009 at 12:50 pm
Unlikely, I would ever be on television or radio since I write fiction, and I’m not a star. Yet!
February 6, 2009 at 2:56 pm
No mention of Children’s books.
February 6, 2009 at 5:13 pm
As a former trade bookseller and salesperson with twenty years experience, I would like to add the booksellers’ perspective.
Help but do not push your local booksellers to sell your book.
Goodwill (as Dr. Garte mentioned in many places) and gently supplying concise, useful information about yourself and your book are your best weapons.
ALWAYS be pleasant, and do not be pushy. Bookstore people have a lot of work to do, and unless or sometimes even if they own the store, they are not very hugely compensated. Keep in mind that they work retail, which requires infinite patience, a strong back, feet of iron, a keen intellect and a very good memory. All of which means, they will remember if you act out.
Even if you are a bestselling author, any bad or condescending behavior on your part will not sell your book. This also goes with book signings. Don’t pull a tantrum if no one shows up for your signing. Graciousness under pressure will endear you to the bookseller as well as the general public. Keep your opinions low key and do not criticize anyone or anything (Yea, what he said!) Remember, you want booksellers to remember how nice and interesting you are so that they will recommend you to other people. Any ill will in their direction can sabotage your whole effort.
One bestselling author said he would sign his name on the back of people’s hands if that would make them happy. Say or ask something personal about each person who brings a book to you to be signed. Stay a little longer if the line is long,
and make an effort to talk to anyone who is interested in your book, even if they are pretending to!
As far as the booksellers are concerned, they cannot always give one author more attention than any other, and everyone wants their attention. Being a pest will not do you much good either. You want word of mouth buzz… make it always positive and you will go far!
Being a nuisance is not a good way to promote yourself.
Information is key. Talk up your book to them, but be brief (they have thousands of other books to worry about).
Don’t pester them to buy more of your book if a few copies sell.
They have to make minimum orders. And if they have had two copies of your book for six weeks, they are unlikely to get more.
It is your job to go do what the speaker above is talking about — get out there and sell your ideas and the book that goes with them, and maybe then your book will start appearing in larger numbers on shelves, and will get reordered too! But all of this takes a lot of energy and patience, but it can pay off.
February 6, 2009 at 5:19 pm
Though Dr. Garte’s book is non-fiction, much of what he has to say is equally valid for the fiction writer. Good blog.
February 6, 2009 at 8:03 pm
Thanks for relating your experiences. I’ve done a lot of PR work, but not in the publishing field. It is good to hear your perspective and get a sense of the rules of the road.
February 6, 2009 at 9:42 pm
Sy, it sounds like a hectic three ring circus during the initial phase of publicity. I would imagine that this is where it’s imperative to be well organized and well prepared. Also preparing your family for this blitz. They don’t understand–you’re only talking on the phone… I like the comment on “even in the case of fire, do NOT disturb.” lolol!
Though the focus here was on non-fiction it translates well into fiction in so far as attitude and hard work is involved. You are your own best sales person when it comes to your work. Great advice on proper behavior–What you say and do also is important. I remember some precautions you took when you were still in the heavy phase of promotion.
I’ve done many speaking engagements over the years, and have been interview on TV spoken on the radio more than a few times. I can see where that skill would come into play with publicity whether TV, Radio, or with a group. But most TV and radio personnel are helpful if you’ve never done it. Mostly, it’s being prepared, knowing your material.
I really enjoyed this series, Sy! Thank you.
February 6, 2009 at 9:51 pm
Dr. Garte’s discussion is easily applicable to fiction in that he has nailed the approach to self-marketing and -publicity that I have been crafting and tweaking since my first novel HOUSE CALL was released in October 2005. The owner of my local independent bookstore gave me one simple piece of advice when I approached him with my plans to mix writing novels with practicing medicine. His advice: “Remember, have a good time.”
February 6, 2009 at 10:10 pm
Thank you. This is very enlightning as I am winging my way through the publishing process for the first time and realizing I have far more to do than I orignally thought. And I have found several pot holes already. Although I am doing all I can at the moment, it is definitely not enough. Maybe I will be better prepared for book #2? I hope so.
Thanks for the enlightenment and the invitation.
All the best,
February 7, 2009 at 7:11 pm
Thanks to all for the comments. Shelley’s comment from the bookseller perspective is great. Authors can get frustrated with booksellers, but it is true that the bookseller should be treated with respect and courtesy. You might feel your book should be placed more advantageously in the store. You might even have the urge to actually move your book somewhere (huh? no, not me. Never). Dont do it. First, it will get moved back. Second the bookseller will not be amused.
February 8, 2009 at 5:22 am
Like Pat B. says, the reality of this process can be incredibly intimidating to the debut author. Most of us have day jobs so there’s always the (un)availability factor, especially if one chooses to hire a publicist who expects immediate turnaround on a request. So the Dr.’s words have resolved one nagging question for me, should I engage a publicist on my own or not? For me, not this time around. Great info and a well-written article.
February 8, 2009 at 5:05 pm
Another article filled with useful info- thanks, Dr. Garte!
February 10, 2009 at 11:54 am
Great Stuff for a New Kid on the Block! — Poet Mona
February 10, 2009 at 4:57 pm
Thanks for sharing so much wonderful info! It seems a bit overwhelming breaking into this business and figuring out all the promotional stuff, but I have found people do love to meet authors and hear what they have to say!!
February 11, 2009 at 4:49 pm
[…] From the Book Marketing Floozy blog: guest blogger Seymour Garte posts on Selling Your Book to Readers — Part II […]
February 13, 2009 at 11:11 am
I sure hope it’s all about good writing! *smiling* ….enjoyed this article as much as the last one….thank you!